3 Acts, 2 Intermissions. Show at 7:00p with doors at 6:30p. There is a beer/wine bar and concessions. Two bathrooms and outdoor toilets.
Angels in America contains severe profanity, explicit sexual situations, graphic depictions of AIDS-related illness, and intense emotional scenes regarding death and addiction.
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Angels in America
Part 1: Millenium approaches
“Daring and dazzling! The most ambitious American play of our time: an epic that ranges from earth to heaven; focuses on politics, sex and religion; transports us to Washington, the Kremlin, the South Bronx, Salt Lake City and Antarctica; deals with Jews, Mormons, WASPs, blacks; switches between realism and fantasy, from the tragedy of AIDS to the camp comedy of drag queens to the death or at least the absconding of God.” ?—?Jack Kroll, Newsweek
Angels in America: A Gay Fantasia on National Themes is a 1991 American two-part play by American playwright Tony Kushner. The two parts of the play, Millennium Approaches and Perestroika, may be presented separately. The work won numerous awards, including the Pulitzer Prize for Drama, the Tony Award for Best Play, and the Drama Desk Award for Outstanding Play. Part one of the play premiered in 1991, followed by part two in 1992. Its Broadway opening was in 1993.
The play is a complex, often metaphorical, and at times symbolic examination of AIDS and homosexuality in the United States in the 1980s. Certain major and minor characters are supernatural beings (angels) or deceased persons (ghosts). The play contains multiple roles for several actors. Initially and primarily focusing on one gay and one straight couple in Manhattan, the plot has several additional storylines, some of which intersect occasionally.
Recent Announcements
Season passes are no longer available due to the fact that we have started our season. Thanks!
Tickets for the remaining shows of our season are all live and selling.
Thank you to visit bend for granting us a 2026 BCTF marketing grant. this is the 5th year recieving this grant and it means more now than ever as the arts are being defunded across the country. Thanks for supporting your local arts.
Why so small?
In a town where bigger seems better, founder John Kish strives to find genuine and honest theatrical experiences. By making the space as the limiting factor in a production, it forces the focus to be on the actors, direction, script, and quality of performance. The emphasis is on the words and not the aesthetic grandeur. This doesn’t mean we do not try our best to completely transform the space. We are not merely a ‘black box’ theater. Come enjoy an intimate experience at The Greenhouse.
Ticket Price?
Our ticket prices are set based on the need to put on the production. We are pioneering professional theater in Central Oregon, by actually paying our cast and crew. The majority of the ticket price is going towards paying everyone you see on stage and behind the scenes. This is a new model for Central Oregon and a new mindset, we cannot be compared to what others are doing as we are setup as an entirely different business model (plus we are a for profit model), which supports our artists. We respect peoples time and want to see art elevate in Bend. (Most roles start at $2000) Thank you for supporting our mission for change.
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Anti-Racism
A statement from The Greenhouse Cabaret
We recognize we are a predominantly white founded theater in a predominantly white town, but to change that, was our goal in founding The Greenhouse. “Be the change you wish to see” -Gandhi. We recognize that Central Oregon is lacking in diversity and culture and has deep roots in racism, recognized and unrecognized. Our mission is to create a space of equality and equity as art has no boundaries or limits. We recognize the role the performing arts play in our our world and national conversation and we hope to better Central Oregon through our performances by creating space for other voices. This is a queer founded space with open arms to all who are loving and accepting of others. We commit ourselves to the continuous work of becoming an anti-racist and anti-oppressive theatrical space. We will focus on being open, listening, and offering solutions when possible in the dismantling of white supremacy in our country, state, county, and city.
Land Acknowledgment
We would like to acknowledge that the beautiful land known as Bend, Oregon north to the Columbia River is the original homelands of the Confederated Tribes of Warm Springs. The Confederated Tribes ceded this land in the Treaty of 1855 while retaining regular and customary hunting, fishing, and gathering rights. The Wana Łama (Warm Springs), Wasq’ú (Wasco) and Northern Paiute people inhabited this area in certain seasonal times that clearly established their presence. It is also important to note that the Klamath Trail ran north through this region to the great Celilo Falls trading grounds. This trade route expanded the impact of commerce between Tribal nations. We acknowledge and thank the original stewards of this land. It is our hope that guests continue to honor and care for this land.
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Donate to support clean water for Warm Springs: mrgfoundation.org/the-chuush-fund-water-for-warm-springs/.
Covid-19 Protocols
For the protection of our actors and productions, as well as by making our young theater accessible by all, we are still heavely suggesting masks during our show. Thank you for respecting our artists.